Drawing is what moves me!

I perfect in order to enchant.

I started my career at age 15 as an intern at Estúdio Cigarra and I never stopped creating. I’ve worked with editorial illustrations, comics, 2D animation, art direction and scripts, but it was on storyboards and animatics for animation series and advertising films that I realized. I work so that the viewer is caught up in the rhythm of the story. I like to surprise the audience, to know that they are having fun – laughing or crying – watching what I created. 

In 2009, I did art and animation direction for the Gabriel Garcia Marquez Room at the Museu do Caribe. In 2014, I worked as art director, storyboarder and screenwriter for the Gemini8 │Disney XD series, and the following year I was awarded the Audiovisual Sectorial Fund with Creative Nucleus “Space Rockers”, produced by PinGuim Content. I developed pilot episodes for dozens of animated series, including Akêdo Ultimate Arcade Warriors │MooseTOYS, Luna’s Show│Discovery Kids – Emmy nominated series, and Turma da Mônica Jovem │Cartoon Network – Winner of the 2020 Brazilian Cinema Grand Prix. I designed the storyboard and animatic for the feature film, Tarsilinha – Winner of the Chilemonos Festival 2021. In 2022, through the Culture Incentive Law, I created and directed the animated short Saru&Anta. Already in 2023 the short film “The Bridge” in which I designed the animatic, won several world audiovisual awards, including several Cannes Lions International Festival of Creativity!
In 2024 I will be writing and producing my own feature film through the Paulo Gustavo Culture Incentive Law. And working as international consultant for animated series.

In advertising, I develop storyboards for the biggest brands in the market such as Riot Games, Free Fire, SuperCell, FIFA, Intel, Adidas and Faber Castell. Working with studios in several countries around the world such as USA, Canada, Spain and China.

In my storyboards and animatics I seek to organize ideas, find creative solutions and solve narrative project problems, optimizing production time and investments.
14.10

Curriculum

Drawing is what moves me!

I perfect in order to enchant.

I started my career at age 15 as an intern at Estúdio Cigarra and I never stopped creating. I’ve worked with editorial illustrations, comics, 2D animation, art direction and scripts, but it was on storyboards and animatics for animation series and advertising films that I realized. I work so that the viewer is caught up in the rhythm of the story. I like to surprise the audience, to know that they are having fun – laughing or crying – watching what I created. 

In 2009, I did art and animation direction for the Gabriel Garcia Marquez Room at the Museu do Caribe. In 2014, I worked as art director, storyboarder and screenwriter for the Gemini8 │Disney XD series, and the following year I was awarded the Audiovisual Sectorial Fund with Creative Nucleus “Space Rockers”, produced by PinGuim Content. I developed pilot episodes for dozens of animated series, including Akêdo Ultimate Arcade Warriors │MooseTOYS, Luna’s Show│Discovery Kids – Emmy nominated series, and Turma da Mônica Jovem │Cartoon Network – Winner of the 2020 Brazilian Cinema Grand Prix. I designed the storyboard and animatic for the feature film, Tarsilinha – Winner of the Chilemonos Festival 2021. In 2022, through the Culture Incentive Law, I created and directed the animated short Saru&Anta. Already in 2023 the short film “The Bridge” in which I designed the animatic, won several world audiovisual awards, including several Cannes Lions International Festival of Creativity!
In 2024 I will be writing and producing my own feature film through the Paulo Gustavo Culture Incentive Law. And working as international consultant for animated series.

In advertising, I develop storyboards for the biggest brands in the market such as Riot Games, Free Fire, SuperCell, FIFA, Intel, Adidas and Faber Castell. Working with studios in several countries around the world such as USA, Canada, Spain and China.

In my storyboards and animatics I seek to organize ideas, find creative solutions and solve narrative project problems, optimizing production time and investments.
14.10

Curriculum

Advertising storyboards

Working with major advertising companies, I created storyboards for animation and live action projects, both for TV and for the internet.

Animatics for games and animated series

With experience in the main animation techniques (2D, 3D, cut-out and stop motion) and the entire production pipeline, I adapt the script to the visual narrative to bring the best result to the work.

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Scripts for animation

After so many years creating animatics, writing scripts came naturally. The stories are already visually resolved in my head before I even write them, so my scripts are very objective for the final result. This process is even more dynamic when I’m also responsible for storyboarding the script I’ve created.

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Animation

Projects I’ve had the privilege of creating from script to final rendering. Animated series, music videos and experimental animation.

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Illustration

From the walls at home when I was a child, to a Cintiq tablet. Developed digitally in software such as Manga Studio, Photoshop and Illustrator, illustrations for editorial projects have always been present in my career.

Comics

The purest sequential art. The childhood passion that led me to storyboards. Unlike those, comics are the final art of the storytelling process.

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Testimonials

Talent and passion for what he does are Sasaki’s two greatest qualities. A professional who is always committed to adding and adding creatively. When he receives a job, he does it in an inspired way, contributing to a better result. In Sasaki’s storyboards, the narrative flows, dynamic and agile, without fragmentation and with precise timing. The poses indicated are also very expressive and inspire the animator. Another great quality: he’s fast. In short, it’s always a great pleasure to be able to count on him.
Celia Catunda , executive director PinGuim Content
Alopra Studio has worked with Ricardo Sasaki on several projects, across different genres and age groups, and in all of them Sasaki has been brilliant as a storyboarder. His systemic vision of the project, understanding of the message and suggestions with insights into the story mean that the projects have a significant gain in terms of creativity as well as solutions that help in the production of the animation. Ricardo is also excellent with key poses and an above-average understanding of expressions and lines of movement. His timing of the scenes is excellent, providing the necessary rhythm for the story to flow, alternating moments of tension and comic relief with various climaxes throughout each arc of the narrative. In addition to all these qualities, Sasaki is one of the fastest boarders on the market.
Nicholas Paim, executive creative director of Alopra Estúdio
I’ve had the pleasure of working with Ricardo Sasaki on several series and seasons of cartoons over the last few years, including the International Emmy nominated series ‘SOS Fada Manu’. As well as others such as “Turma da Mônica Jovem” and “Planeta Palavra”.
Sasaki brings very creative and practical solutions that at the same time manage to extract what the director wants and needs. His deliveries are always on time, he has a sharp sense of humor and he understands the creative process and the needs of the production very well.
Very easy to deal with, no headaches and no stress… for those who work in the industry, this is a rarity!
Jean Mary De Moura , executive director LightStar Estúdio
Working with Sasaki is sensational! The ease with which he understands the idea is impressive and often even improves on what I had thought.
Not to mention the fact that he solves everything very quickly. Sometimes I wonder if he doesn’t have a twin brother working with him.
The work of the boarder is extremely important for any project, because that’s where every idea comes to life, and working with Sasaki makes it look easy. A dynamic artist who adapts to any style and always adds a lot with intelligent solutions and a dash of good humor.
Rafael Ribas, executive director Start Anima
Animation has many phases and, as director/screenwriter, I see them as opportunities to improve the story we have. In this sense, whenever we finish board briefing meetings with Sasaki, I look forward to what he’s going to deliver. Because it’s a pleasure to see the huge leap the story takes!
Sasaki is one of those boarders who loves to have time left over in the Edit to play around with the characters and deliver an even more surprising and entertaining story. This shows the love and responsibility he has for the work he does.
What’s more, exchanging ideas with Sasaki between versions is as enriching as it is fun. I hope to work with him many more times!
Andrea Midori Simão, director and screenwriter - Papaya Bull 2T/3T
Ricardo Sasaki – a draughtsman like few others.
Before becoming a colleague at work, he was a student of mine from the 6th grade onwards, going through art schools where I taught. His ease was impressive, his drawing was organic and visceral, he achieved immediate results that most artists take months or years to achieve.
Over time, he worked in an animation studio that I recommended and from then on, he worked in several other studios and production companies, making a name for himself in the animation market. We did a comic book together, my life project, Contos e Cantos do Maraska, with support from ProAC and published by Editora Devir. I knew that by inviting him, he would be the difference in the project. The characters in the comics took on a very palpable, charismatic dimension. When I created the script, I left Sasaki free to create the pictures, where he suggested unusual angles, very three-dimensional, strong and bold. The project wouldn’t have been the same without his genius, without his suggestions, without the “face” he helped give the project. After this and other productions we did, I saw Ricardo Sasaki flying from afar: specializing in storyboarding, animatic, being one of the genius minds behind great national and international successes in animated series.
And I can see that Ricardo Sasaki is still going to fly much higher with this enormous talent, combining all that natural viscerality with a long experience in the field of animation. I’m very proud to see this student of mine become a great master.
Marcelo Maraska, comic book artist Contos e Cantos do Maraska and teacher
Ricardo Sasaki was a professional with a thirst for all the knowledge he could acquire in animation production. This thirst made him a proactive person who researched, studied and took many courses to become more complete. He taught what he knew to the people on his team, always wanting to see everyone evolve. Within the team, he always added a lot with his broad vision of production and he also always valued quality in everyone’s work, not just his own. Extremely creative, it’s impossible for any work done by Sasaki to be dull. I’ve had the pleasure of working with Ricardo Sasaki for over a decade and he’s undoubtedly the best storyboarder I know.
Veronica Vieira , production manager - Pinguim Content
Working with Sasaki is great because he is approachable and available, as well as being very quick to respond.
As well as being talented, he is responsible, meeting deadlines and always willing to listen and collaborate. He is undoubtedly a professional who conveys security.
Having Sasaki on the team is synonymous with success!
Nice Boschi, producer of Alopra Studio
Sasaki is a professional I met during my time at PinGuim Content on in-house projects and currently on Turma da Mônica Jovem for Lightstar. I like the board work that Sasaki gives us because he always comes up with posing and acting tips that really enhance the characters. I’m sure we’ll see each other on more projects.
Robson Menezes , senior animator
Agile, efficient, polite and super easy to communicate with. Working with Ricardo Sasaki guarantees that your project will be finished on time (sometimes even earlier lol), as well as being beautiful and fun.
I had the opportunity, among other projects, to coordinate the productions of the S.O.S. Fada Manu and Turma da Mônica Jovem series, with several impeccable animatics by Sasaki – an excellent professional and a lovely person!
Aline Mendes Gasparin, executive producer
I’ve known Sasaki since 2007 and we’ve done a lot of work together. As we got closer, one aspect of him that has always struck me is that he doesn’t have many creative blocks. He’s always creating, and with great ease and fluidity. In the opportunities we’ve had to join creative forces (in “Gemini8” – Penguin TV, for example), I’ve had access to an enormous fluency of visual and narrative language! Sasaki transforms an embryonic sentence into a dense and rich universe. And with two or three sketchy strokes, he reveals an image so expressive that it impresses you. The art world needs Sasaki in the world. A fucking great artist.
Leandro Mendes, animation director Gemini8

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